Figure 293. From 1926 comes a delightful image of a beautiful young woman feeding birds while it's snowing. Icart didn't do many etchings with snow and all of them are desirable. This one is framed in a silver, hand-carved antique oval frame -- just killer. It's museum-mounted, with a new mat.
Figure 178. The theme of the four seasons has been addressed by many artists. Icart himself did several different sets. This image dates from the 1923 set of the four seasons. Excellent color and margins. Unframed. Great price!
Figure 164. Fairly early etching from 1923. Moderately rare with excellent warm colors. Unframed sheet with large margins.
Figure 228. One of the very few round etchings done by Icart. Large rectangular margins. Unframed.
Figure 298. Fabulous, rare image of two ballerinas peeking out from backstage.
Figure 232. One of the many fine ballerina etchings that Icart did. This one was given personally as a gift to a friend in 1920 and has his personal inscription, lower right. Large rectangular margins. Unframed.
Figure 407. Rare, beautiful and desirable. In addition, the colors are strong and the sheet is great with huge margins. Unframed.
Figure 250. There is no better war etching than Before the Raid. It's romantic, adventuresome and just plain wonderful. Framed in a $2,000 hand-carved 24K white gold leaf frame with silk mat and gold bevel.
Figure 420. Beautiful image with excellent color. Good-sized rectangular margins. Nicely framed.
Figure 182. Moderately rare etching from 1923. Good color. 1½" oval margins. Unframed.
Moderately rare, sweet image with excellent color. Nicely framed.
Figure 376. Lovely boudoir image. Nicely framed.
Figure 244. A beautiful woman surrounded by a tree filled with bluebirds. Rectangular margins.
Figure 404. One of the rarest and most desirable of all Icart etchings. Great subject matter with strong color. Oval 1½ - 2" margins. Framed in a fantastic period oval frame.
Figure 315. Colorful image. Large rectangular margins. Unframed.
Figure 331. Romantic etching from the classics. Good margins except for the upper right corner that is missing. There is about 1/2" of margin left, which will be covered after the etching is matted and framed. Unframed now.
Figure 92. Rare early etching showing Icart's sense of humor. Full margins to the deckled edges. Unframed.
Figure 403. One of Icart's more sensual images. Excellent color. Large rectangular margins.
Figure 324. From the Fairy Tale series. Wonderful image with good color. Large rectangular margins. Unframed. (#60932)
Figure 265. One of several etchings Icart did in his fairy tale series. The blonde is Cinderella and the coach will take her to the ball. Excellent margins. Unframed.
Figure 361. Part of his series of Spanish women. This is the only etching he ever did with full frontal nudity. Unframed.
Figure 371. One of Icart's most famous images with greyhounds. Excellent color and detail. Large margins. Unframed.
Figure 371. One of Icart's most iconic images. Wonderful! Excellent color and margins. Unframed.
Figure 63. This powerful etching was created in 1917, during WW I. The seated woman and child are an allegory for France and its people. The soldier represents the whole of the French army. Large margins. Framed in a super 24K white gold frame with silk mat and white gold bevel.
Figure 486. Colorful image. Nicely framed.
Figure 330. Another of Icart's romantic etchings, reminiscent of Zorro. Large margins.
Figure 443. Rare and highly erotic image. Superior image with excellent color and detail. Ecstasy is the mate to Winsome. Large margins. Framed to museum standards in a killer 24K gold leaf frame with silk mat and 24K gold leaf bevel.
Figure 353. Beautiful nude with a small snake around her arm and apples on the ground (think Garden of Eden). Eve is the mate to Venus. Good color. Large margins. Framed in a $750 24K gold leaf frame with silk mat and 24K gold bevel.
Figure 478. By 1937, Icart's style had evolved to become bolder. Many of his most desirable and valuable images are from the 1930s. Fair Model is one of a pair of nudes -- Pink Slip being the other one. It's a great image. Museum-mounted, with a new mat, in a hand-carved antique frame. Looks fabulous.
Figure 352. One of the most dramatic Icart etchings from the Opera series. Large rectangular margins.
Figure 111. Nice early image from 1920. Good rectangular margins. Unframed.
Figure 174. Rare image with "4/100" pencil notation in the lower left. Horizontal lower stripe and color in the lower right are only glass reflections and not in the image. Beautifully framed in a new frame with matching French mat. (#512120)
Figure 256. Pretty image with good color and very large oval margins. Nicely framed.
Figure 336. Unframed.
Figure 272. Beautiful new frame and French mat. Ready to hang on the wall.
Figure 291. Nice image with large rectangular margins. Nicely framed.
Figure 304. Colorful image. Sheet with large rectangular margins. Beautiful $750 24K gold leaf frame with silk mat and gold bevel. (#60917)
Figure 401. Lovely image. Icart used his wife, Fanny, as the model. Transparent golden veil is done with gold ink. Good margins.
Figure 398. Very small, but very rare etching. This is the only time I have ever owned this one. Unframed.
Figure 125. Nice image with strong color. Large rectangular margins. Unframed.
Lovely image of a woman hiding her love note in a tree. Good margins. Unframed
Figure 373. Classic Icart with a beautiful woman amidst gorgeous blue hydrangea flowers. Unframed.
Figure 480. Unframed. Icart's rarest and most famous etching. This particular example is the best one I've ever had. First she's a blonde (extra rare). Then the etching has the best color and huge margins to the deckled edges. Unframed.
Figure 480. One of the rarest and most famous of Icart's etchings. The illusion continues with the smoke becoming her hair. Good margins. Unframed.
Figure 261. A pretty lady and her dog against a Japanese folding screen background. Lots of detail. Large rectangular margins. Unframed.
Figure 126. One of Icart's earlier etchings showing his sense of humor. Large oval margins. Fine original oval frame.
Figure 301. A small but wonderful image of a lovely maiden with her jealous cat. A couple of streaks in the image. Unframed.
Figure 321. Lovely image with good detail and color. Rectangular margins. Framed in a lovely gold leaf frame.
Figure 246. A beautiful sensuous woman on a bear skin rug. Icart shows his sense of humor by making the bear appear alive. Unframed.
Figure 375. Lovely image of a very attractive, demure lady with wonderful color in her skirt, bag and hat. Excellent sheet with large rectangular margins. Unframed.